“The film is a history lesson. And a chance to think about who and what decides how the buildings will be and what and for what buildings are needed"
El País, Anatxu Zabalbeascoa
"The excellent design of the exhibition, already a brand of the house in LABoral, this time in charge of Ángel Borrego, brings together a well-staged exhibition discourse."
El Cultural, Víctor del Río
“Ángel Borrego Cubero’s wonderfully gossipy film The Competition (…) offers a revealing glimpse of life at a big - name practice.”
ICON, Owen Pritchard
"Borrego's biography shows the simplest solutions (...) The work is low tech yet high innovation."
El País, Anatxu Zabalbeascoa
"Reinvention, reuse and recycling are key in this project of rampant contemporaneity, in the best sense of the word."
Architectural Digest, Patxi Eguiluz & Carlos Copertone
“…a new documentary by Spanish architect Angel Borrego Cubero makes for compulsive viewing”
The Guardian, Oliver Wainwright
"The first thing that draws attention is the architecture. Ángel Borrego has found a simply brilliant solution: the halls have been separated by large frames of industrial wood and translucent fabric that allows us to sense distant installations without interfering in the relationship with the closest ones."
ABC Cultural, José Manuel Costa
"Four artists - Lara Almarcegui, Ángel Borrego, El Perro, Francisco R. de Infante - participate in an innovative experience in several senses, which has just opened in the the former Slaughterhouse of Arganzuela (El Matadero)."
El Cultural, Elena Vozmediano
"The artists - Lara Almarcegui, Angel Borrego, El Perro, Francisco R. de Infante - who have come to `test´El Matadero, have intervened with honesty and quite correctly pointing out some issues that have to do with the context, fortunately"
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